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The Three Musketeers
Twenty Years Later
The Vicomte De Bragelonne
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Twenty Years Later 61 at Prostate Health
Hours
in the Donjon of Vincennes.
The captive who was the source of so much alarm to the
cardinal and whose means of escape disturbed the repose of
the whole court, was wholly unconscious of the terror he
caused at the Palais Royal.
He had found himself so strictly guarded that he soon
perceived the fruitlessness of any attempt at escape. His
vengeance, therefore, consisted in coining curses on the
head of Mazarin; he even tried to make some verses on him,
but soon gave up the attempt, for Monsieur de Beaufort had
not only not received from Heaven the gift of versifying, he
had the greatest difficulty in expressing himself in prose.
The duke was the grandson of Henry VI. and Gabrielle
dEstrees -- as good-natured, as brave, as proud, and above
all, as Gascon as his ancestor, but less elaborately
educated. After having been for some time after the death of
Louis XIII. the favorite, the confidant, the first man, in
short, at the court, he had been obliged to yield his place
to Mazarin and so became the second in influence and favor;
and eventually, as he was stupid enough to be vexed at this
change of position, the queen had had him arrested and sent
to Vincennes in charge of Guitant, who made his appearance
in these pages in the beginning of this history and whom we
shall see again. It is understood, of course, that when we
say "the queen," Mazarin is meant.
During the five years of this seclusion, which would have
improved and matured the intellect of any other man, M. de
Beaufort, had he not affected to brave the cardinal, despise
princes, and walk alone without adherents or disciples,
would either have regained his liberty or made partisans.
But these considerations never occurred to the duke and
every day the cardinal received fresh accounts of him which
were as unpleasant as possible to the minister.
After having failed in poetry, Monsieur de Beaufort tried
drawing. He drew portraits, with a piece of coal, of the
cardinal; and as his talents did not enable him to produce a
very good likeness, he wrote under the picture that there
might be little doubt regarding the original: "Portrait of
the Illustrious Coxcomb, Mazarin." Monsieur de Chavigny, the
governor of Vincennes, waited upon the duke to request that
he would amuse himself in some other way, or that at all
events, if he drew likenesses, he would not put mottoes
underneath them. The next day the prisoners room was full
of pictures and mottoes. Monsieur de Beaufort, in common
with many other prisoners, was bent upon doing things that
were prohibited; and the only resource the governor had was,
one day when the duke was playing at tennis, to efface all
these drawings, consisting chiefly of profiles. M. de
Beaufort did not venture to draw the cardinals fat face.
The duke thanked Monsieur de Chavigny for having, as he
said, cleaned his drawing-paper for him; he then divided the
walls of his room into compartments and dedicated each of
these compartments to some incident in Mazarins life. In
one was depicted the "Illustrious Coxcomb" receiving a
shower of blows from Cardinal Bentivoglio, whose servant he
had been; another, the "Illustrious Mazarin" acting the part
of Ignatius Loyola in a tragedy of that name; a third, the
"Illustrious Mazarin" stealing the portfolio of prime
minister from Monsieur de Chavigny, who had expected to have
it; a fourth, the "Illustrious Coxcomb Mazarin" refusing to
give Laporte, the young kings valet, clean sheets, and
saving that "it was quite enough for the king of France to
have clean sheets every three months."
The governor, of course, thought proper to threaten his
prisoner that if he did not give up drawing such pictures he
should be obliged to deprive him of all the means of amusing
himself in that manner. To this Monsieur de Beaufort replied
that since every opportunity of distinguishing himself in
arms was taken from him, he wished to make himself
celebrated in the arts; since he could not be a Bayard, he
would become a Raphael or a Michael Angelo. Nevertheless,
one day when Monsieur de Beaufort was walking in the meadow
his fire was put out, his charcoal all removed, taken away;
and thus his means of drawing utterly destroyed.
The poor duke swore, fell into a rage, yelled, and declared
that they wished to starve him to death as they had starved
the Marechal Ornano and the Grand Prior of Vendome; but he
refused to promise that he would not make any more drawings
and remained without any fire in the room all
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